Our theatre-design software is organic artistic flow, not "programming".
The tools we use to create theatre matter. They have a profound impact on the type of art we create. If a tool is restrictive, technical, and robotic, our art will feel the same way. Bad tools hide from us the magic we used to dream of. We think we are designing at our fullest potential, but that limit is an illusion. Because our tools trained us to dream less.
When our tools instead feel inspiring, organic, and effortless, we regain our ability to imagine what theatre can be as a child would. We remember the forgotten magic. The tool then empowers us to create our dreams with organic artistic flow. Only then can we imagine the most untamed beauty, the most terrifying storm, and the most heartfelt whisper.
Alva Sorcerer is the first step. Join us in our journey.
You go to the theater, the lights dim, and the show starts. You have no background knowledge of how this show was produced, but within the first 10 seconds you already know. This is a Sorcerer show—it's too emotionally expressive not to be. Normal systems could reproduce the backbone, but only Sorcerer can execute the subtleties. Like the difference between an A-list actor's performance and a middle-schooler's, the difference between a Sorcerer design and a conventional design is rapidly apparent not in exaggerated extremes, but in effortless subtlety.
Designers at this theater are choreographers, sculptors, and animators. They create new worlds.
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